Everything posted by Impious
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Interest in Big 3 kits?
That right there would keep me from ever recommending you. I'm not going to recommend anything that directly or indirectly supports AT or uses his products.
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Upgrade Questions
While I agree it's a stupid idea, yes you could technically make it "work" by properly matching the gains and xover settings. It would simply make much more logical sense and be a much simpler install to use a single amp. Not to mention you are relying on the shops ability to perform these settings, which may or may not be within their capabilities. Being "the best in the area" doesn't mean a whole lot. They can be "the best in the area" and still not be the sharpest knives in the drawer...it's all relative to what else is in your area. Also, you asked earlier about how much louder.....ideally, assuming you maintained the same alignment, I believe you'd be looking at a difference of ~3.5db. So an audible difference, but not dramatically louder. A DMM and common sense should be enough to get them set close enough not to matter. No way in hell there is not going to be enough of a difference to matter. That one's kind of out there.
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Speakers
Then keep the rears stock ran off of HU power and put all of your amplifier power and $$ to the front speakers. Do you have any sound deadening installed?
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Speakers
Don't install anything in the rear. Put all of your speaker funds towards the front speakers. If you absolutely must have rear speakers, just keep the stock speakers. Also, don't use the amp on the rear speakers. Bridge it to the front speakers. If you must use rear speakers, just power them off of the headunit.
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imaging help
That is pretty well the antithesis of your originally stated goals. Supertweeters have no purpose being in a vehicle, IMO.
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8" midbass dilemma
A few potential problems I see. First, where does the AP mat vent to? It should vent into a large open area, just the same as IB. It looks like it simply vents into the floor of the car, which would be far less than ideal and cause it not to function properly. Second, AP isn't as simple as using a predesigned mat/vent, such as that Scanspeak piece. The amount of resistance provided by the AP mat needs to be "tuned" to the loudspeaker just like any other enclosure. The goal of AP is to flatten the impedance peak, and the thickness/resistance of the mat needs to be designed specifically for the driver and it's particular impedance peak. Last, I personally think you have insufficient AP mat area. That AP mat you have is designed to be used with smaller diameter drivers. Also, what was the reason for going AP? What were you hoping to gain? I think your driver selection is probably fine. I think the problem is the implementation of the AP.
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imaging help
Horn Loaded Compression Drivers and 8" - 10" pro audio midbass drivers. I honestly think this is about the only logical means by which to reach the goals you are aiming for. It is NOT a beginner system, so I hesitated in suggesting it....but IMO most of the tuning issues with this system comes mostly from the EQ adjustment rather than crossover selection and other issues like the other options. It would have the output and impact to make your chest feel like it was collapsing and with properly adjusted EQ selection and installation it would still be capable of high fidelity, great detail and good imaging at normally listening levels.
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Replacing the DNX8120
You can get NPR pretty much anywhere in the country.....what else do you need to listen to ??
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imaging help
Some of vehicles people describe as some of the "best" "sound quality" (both in quotes) vehicles are also the vehicles where you don't realize how loud the stereo is until you try to talk to the guy in the seat next to you....and realize you can't hear your own voice. Certainly it's possible.....but it also entails A LOT of knowledge and skill because you have to understand proper driver selection, have pretty in-depth tuning skills, excellent installation skills (not necessarily in form, but in function), an understanding of the human hearing mechanisms, etc etc. It's not easy, and it's more dependent on the installation and tuning skills as well as knowledge than it is on what speakers are purchased. Ideally a true "sound quality" stereo will have the ability to play as loud as an accurate representation of the source material requires. This entails large amounts of transient headroom and high but clean and undistorted output requirements. If you can feel the snare and cymbal hits from the drums in your chest when listening to a live (unamplified) concert, then the stereo should give you this same feeling. They should play loud, but it's a different kind of loud than most bassheads relate to. This ofcourse isn't the only requirement, but it's one that's often overlooked.
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No sound from subs, but amp is still on
Process of elimination. Check to verify the RCA cables have voltage. Check to make sure the fuse isn't blown. Check your speaker wire connections. Check to make sure the REM wire has 12V. That's in no particular order. But some things to check.
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imaging help
Yes. I should add that kicks are a good idea IF they are properly aimed, are of solid construction and have sufficient airspace. So that rules out Qlogics and the like. Pretty well requires something custom built.
- imaging help
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5k Amp?
Is this for competition or daily driving?
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imaging help
I really think a 2-way active front stage is a great place to start. The learning curve on properly tuning an active setup can be steep. You learn with the 2-way active then progress to a 3-way active. It sounds easy, but getting it right and maximizing performance isn't as simple as setting the crossover and calling it done. Coupling little to no experience with a 3-way active front stage is a great way to end up with a stereo that never really sounds goods. Also, the DQL-8 is not going to be a good processor for 2-way active, and from what I can find isn't capable of 3-way active. For starters, it has no means by which to bandpass an output other than the sub channel.
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What is this about?
Aaron responded to the thread on crapaudio.com "I think someone lied to you. We are not switching manufacturers." My guess would be someone tried to get a recone and Fi was waiting on a parts delivery or something so it wasn't immediately available, and the guy misunderstood what was going on. But that's only a guess.
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My friend has a whining noise thru his setup?
Noise Troubleshooting Guide Follow the guide, you will eventually locate the noise. More often than not it's either a poor ground at the amplifiers or at the headunit. Though my guess would be that he's had some alternator whine the entire time, but the sensitivity of the horns & supertweeters coupled with the added amplifiers in the system simply made it much more audible/prevalent. Also, for reference, that's a terrible speaker setup.
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imaging help
And what do you plan to use for processing?
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imaging help
Again, ditch the 2nd pair of tweeters in the kicks. Completely unnecessary and will make things worse instead of better. Also, a 5.25" midrange isn't of much use in a 3-way front stage. It sort of defeats the purpose of a 3-way to start with. If you must go 3-way, drop the midrange down to a 3"-4" midrange. It will have better high frequency extension and response. Although I still say stick with either 2-way front stage or a 3-way passive setup. I can tell just from your postings in this thread that a 3-way active frontstage is going to be well beyond your capabilities. I know active is all the rage anymore....but the advantages of active will only become relevant when the active setup is properly tuned and installed. A poorly installed and tuned active front stage will sound worse than reasonably well installed passive setup. So, 2-way active or 3-way passive front stage is for you. Personally, I would high suggest you consider the more simple 2-way front stage idea. Unnecessary. A reasonable quality co-axial speaker will be more than satisfactory back there. When no one is back there, they will be muted anyways. All it has to do is play just audible enough for the rear seat passengers to hear it. That's it. It doesn't need to be loud, and with as quiet as these speakers will be a basic co-axial will sound fine. Although I haven't had rear speakers in a decade and I've never had anyone sit in my rear seat have a problem hearing the front speakers. I still say they are unnecessary overall. But if you feel you must, a basic co-axial is more than sufficient. Unnecessary and you won't have the necessary processing or skill level to properly utilize them. It will make things worse instead of better. No. Bad idea and poor implementation. Scratch this from the board. Not going to happen. 1/4 wave you mean a T-line? Unnecessary. Basic sealed or ported will do everything you need. Again, start over. The entire system design needs rethought. Your original plan is just not an implementation that will allow you to achieve the goals you indicated in the original post and thread title.
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imaging help
First, you have too many speakers up front. You only need/want one pair of tweeters up front, not two. You also will not want both the 6.5" in the doors and the 5.25" in the kicks, both playing midrange and midbass (which I'm guessing was your plan). If you want to do a 3-way up front, do a true 3-way up front. If doing a 3-way front stage, in my opinion there's no point in using a 6.5" midbass and a 5.25" midrange. If you plan on using a 6.5" mid in the door, decrease the size of the midrange to 3"-4" to gain some advantage there from the 3-way system design. Though based on your post I'm not sure you have the skill set at the moment to pull off a properly tuned 3-way active front stage. My suggestion would be to stick with a simple 2-way or passive 3-way. Second, I would still forgo rear speakers. Properly setup the rear passengers will have no problem hearing the front speakers. If you must have rear speakers, I would just go with a simple co-axial and have them faded off when no one is back there. When someone is back there, just bring them up enough to be audible. You are overcomplicating the rear speaker setup. Last, I'm not sure what you mean by "Pro Audio 8in subwoofer", but using a true Pro Audio style 8" driver as a subwoofer is not going to work. They are going to need a largish ported enclosure to even begin to perform properly, and even then the low frequency response is going to be anemic. Overall, I would say start over from scratch on the system design. What is your budget and what is your goal? What equipment do you have right now you plan to use, and what equipment you were looking to use?
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Interesting site...check it out
The only person making it an issue is you. The only person bringing it up on a weekly basis is you. The only person posting it in every thread about SSA subwoofers is you. The only person who fails to understand they are not rebadged Fi subwoofers is you. The problem.....is you. Nick's post above demonstrates that they are not copies as the differences he outlined are everything that matters in a subwoofer, and proves you are wrong. That is coming straight from the guy who built them. Now if you could kindly wipe the sand from your vagina and stop bringing it up constantly as you've just been proven wrong, that would be great.
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Interesting site...check it out
Actually he said outwardly the motors appeared to be similar. That says nothing about similarities within the motor, and frankly he doesn't even give any external measurements of the motor itself to confirm they are anything more than similar in appearance. Also, if you look at the actual measured T/S parameters you can see they are different drivers. The Xcon has a higher Q, lower Fs, lower Le and higher Mms. Plus the Xcon has slightly more linear excursion and I believe higher thermal power handling as well. It is still an Fi copy with a couple alterations. Quoted "Any differences from the Q are probably in the voice coil itself and the gap geometry and possibly the pole piece machining." Are the external dimensions of the motor identical? He doesn't say, and I don't honestly know. I'm guessing you don't either. So it appears both you and he are basing that on nothing more than the outward appearance of the motor. Even if the outward dimensions are similar doesn't mean they are identical. T/S parameters show they aren't identical. Thermal power ratings show they aren't identical. The voice coil, gap geometry and pole machining and other features are what matters in the motor, not how similar they look externally. Yes, there is going to be some similarities. That doesn't make them copies. I don't understand why you feel the need to bring this up on a weekly basis? We get it. You think they are copies just because they are built at the same buildhouse, even though they are clearly not identical drivers. Did you do this to Sundown when they were using off the shelf boards? Follow Jacob around and post in every thread about how it's a copy of XYZ? Do you tell Kevin at Skar about how similiar his subs are to Sundown because they are designed by the same person? Or post in every Arc thread about all of the other brands that use their boards? Or is this a special fetish you have for SSA?
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Interesting site...check it out
Also, not a whole lot of info or a lot of guessing done on the driver measurement pages. For example, on the Z3 page he simply guesses that Xmax is 30mm. How close that is to reality I have no idea....but that's not based on overhang, or 70% BL, or any other empirical method....simply a guess based on the "sound" of the driver when playing it free air. The measurements I saw were primarily just measuring T/S and impedance. Which is okay for maybe verifying accuracy of the manufacturer's T/S and maybe including some that the manufacturer doesn't list like Le....but other than that it seemed to be primarily subjective commentary. Again, okay for a subjective review but not a whole lot of decision-making information being provided.
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Interesting site...check it out
There are some things I can agree with on that myths page, but some of it is arguable.
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Interesting site...check it out
I've had the site bookmarked for a while, hadn't looked at it much though. Actually he said outwardly the motors appeared to be similar. That says nothing about similarities within the motor, and frankly he doesn't even give any external measurements of the motor itself to confirm they are anything more than similar in appearance. Also, if you look at the actual measured T/S parameters you can see they are different drivers. The Xcon has a higher Q, lower Fs, lower Le and higher Mms. Plus the Xcon has slightly more linear excursion and I believe higher thermal power handling as well.
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MB.Quart ONX1.1500D Clamped?
Again, it's rather pointless. Actual power will be close enough to rated power that any difference won't matter. Don't trust any of the numbers you've read about. It's 100% likely the measurement wasn't done in a manor that makes those power numbers meaningful.